Conference Schedule & Rooms At-A-Glance
-
-
- 3:30 – 4 PM Poster Presentations, LArts North Atrium
- 4 – 4:30 PM Panel 1, LArts 206
- 4 – 4:30 PM Panel 2, LArts 214
- 4:30 – 5 PM Panel 3, LArts 206
- 4:30 – 5 PM Panel 4, LArts 214
- 5 – 5:30 PM Poster Presentations, LArts North Atrium
-
Poster Presentations
LArts North Atrium (3:30 & 5 pm)
- Jocelyn Bulcao, Women and Gender roles in “Pale Horse, Pale Rider”
- Sydney Cayer, The effects of technology on internal corporate communication
- Noah Lamperti, Social Media Multimodality and Outdoor Conservation Advocacy
- Alex Correia, Deconstructing the South: Adapting Lydia Maria Child’s “The Quadroons” in William Wells Brown’s Clotel
- Jocelyn Kingman, Ripping the Wallpaper: A Feminist Critique on Charlotte Gillman’s “The Yellow Wallpaper”
- Emma Konn, The role of Social Media in advocacy and activism movements: Is performative activism hindering activism movements?
- Bridget O’Meara, Communication Strategies in Early Childhood Education
- Amelia Potvin, Cross-Cultural Document Design & Translation
- Katherine Santin, “Good humans” and “digitally inhospitable” spaces: A queer usability approach to stasis theory
- J. Engels, “Volume and vastness: an exploration of the transcendency of arts communication”
- Brandon Souza, The Self-Enforced Commodification of Asian-Americans
Panel 1: Communicating, Producing, and Consuming Knowledge
4 pm, LArts 206, Moderated by Dr. Katie DeLuca
- Alex Correia, Representations of Illness in Virginia Woolf’s Mrs. Dalloway
- Leah P. Freeman, Work Ethics and Advocacy in Communications
- Stephanie LeBlanc, Harnessing Social Media for Student-Centered Communication: An Autoethnography of the Implementation of the UMass Dartmouth Student Service Center Instagram
- James D. Mellen, From Attention to Action: Motivating An Audience To Read Motivating Text
- Arthur Schlerman, Technology Abuse in Margaret Atwood’s Oryx and Crake
Panel 2: Authority and Agency in Crisis
4 pm, LArts 214, Moderated by Dr. Anupama Arora
- Jocelyn Bulcao, Performance in The Marrow of Tradition
- Ellie Cook, Analyzing Tolerance in Hope Leslie and The Scarlet Letter
- Kailee Ferreira, The Tension of Differences in Howards End and To the Lighthouse
- Isabella Gerardi, Northern Abolitionism, Racism, and Hypocrisy
- Carlos Rosado-Lorenzo, Earthseed: Agency in Times of No Control
Panel 3: Reimagined Communities and Contested Legacies
4:30 pm, LArts 206, Moderated by Dr. Caroline Gelmi
- Stan-ley Costa, Domesticity as White Supremacy in the 19th Century
- Jocelyn Kingman, “New Chinese Blood”: A Feminist Critique on Chang- Rae Lee’s novel On Such a Full Sea
- Jordan Parry, Inconsistencies in Earthseed from Octavia Butler’s Parable series
- Kennedy Callahan, Unpacking Utopia: Interpreting Dystopia in Octavia Butler’s Parable of the Sower
- Cynthia Suthar, Manipulation of Information in Charles Chesnutt’s The Marrow of Tradition
- Jason Rodriguez, “We Must Seed Ourselves far from This Place”: Representation and Deconstruction in Octavia Butler’s Parable of the Sower
Panel 4: Movements across Colony, Capital, and Climate
4:30 pm, LArts 214, Moderated by Dr. Laurel Hankins
- Tam Carter, De-Anthropomorphizing Narration in Modernist Fiction: Understanding How Traditional English Reading Practices Limit Interpretive Ability
- Amanda MacDonald, “Pushing Against the Emptiness”: Individualism, Collectivism, and the Economics of Imagination in Chang Rae Lee’s On Such a Full Sea
- Victoria Raposo, Exploring the Wilderness in The Scarlet Letter
- Ryan Taffe, Memory: Home for Those Without One in Modernist Fiction
- IsaBella Winter, Home Economics: A Study of Edwardian England in Howards End
- Paul Casey, Consequences of Utility in Place of Intimacy in Atwood’s Oryx and Crake